Stevie ray vaughan the

In the early eighties, MTV was on the rise, and blues guitar was miles away from music’s mainstream. But Texas’ Stevie Ray Vaughan demanded your attention. He had absorbed the styles of just about every great blues guitarist – plus Jimi Hendrix and a lot of jazz and rockabilly – and his monster tone, casual virtuosity and impeccable sense of swing could make a blues shuffle like “Pride and Joy” hit as hard as metal.

 

Vaughan was recognized as a peer by the likes of B.B. King and Eric Clapton, and despite his 1990 death in a helicopter crash, he’s still inspiring multiple generations of guitarists, from Pearl Jam’s Mike McCready to John Mayer and rising young star Gary Clark Jr. “Stevie was one of the reasons I wanted a Stratocaster – his tone, which I’ve never been able to get down, was just so big and bold and bright at the same time,” says Clark. “If you listen to his records and watch his videos, you can tell he’s just giving you everything he had. His passion is overwhelming.”

Youtube stevie ray von

When blues guitarist and vocalist Stevie Ray Vaughan released Texas Flood in 1983, he introduced Texas blues to a much broader audience than it had previously known. His impact was great enough that even today, 21 years after his death, if you ask a music lover to name a Texas blues guitarist, he or she will probably reply, “Stevie Ray Vaughan.”

 

But, like many great musicians, Vaughan was not sui generis. He synthesized his unique style by combining a huge number of influences from Albert King and Johnny “Guitar” Watson to Lonnie Mack and Kenny Burrell. That being the case, here’s a list of five Texas bluesmen (out of many) who, in addition to creating their own great legacies, paved the way for Vaughan to create a great legacy of his own.

Blues guitarist and vocalist Sam “Lightnin'” Hopkins (1912-1982) was born, lived and died in Texas. He recorded a lot of songs in his life (estimated between 800 and 1,000) and often played electric guitar, as opposed to the majority of country blues artists, who performed unplugged. The New York Times obituary for Hopkins called him “perhaps the greatest single influence on rock guitar players.” He certainly influenced Stevie Ray Vaughan. A little more than a minute into this song, Lightnin’ says, “Play it boy,” and pops his low E-string a couple times, getting a little distortion out of his amplifier. It’s easy to imagine a young Stevie Ray Vaughan hearing this recording and thinking, “Now, that’s what I’m talkin’ about.”

Stevie ray vaughan fender guitar

This emotive addition to the Custom Shop Tribute Series is an intricate reproduction of Lenny down to the smallest of details from the customized neck that was a gift from ZZ Top’s Billy Gibbons, the reflective SRV stickers on the body, the battered headstock to the autograph that Stevie himself etched into the neck plate—even an autograph from legendary baseball great, Mickey Mantle.

The original Lenny guitar is a universally recognizable Fender Stratocaster, best known for its uniquely bright and powerful tone and known as one of Stevie Ray Vaughan’s favorite instruments throughout his entire career. The guitar itself has an almost mystical heritage that can be traced back to the very beginning of Vaughan’s rise to stardom.

Lenny’s body is similarly storied; its most notable feature is a batwing-shaped inlay believed to be from a 1910 mandolin pickguard and reproduced in exact detail for the replica. The original sunburst finish was removed by heavy sanding, giving
Lenny a much more rounded, smoother and softer contoured body than any Strat before or since. Subsequently refinished, the original sunburst finish still peeks through the clear mahogany lacquer.
It’s easy to imagine Vaughan pulling into a truck stop and adding the SRV stickers to the shrunken, warped and cracked pickguard. The Custom Shop has recreated that ensemble with remarkable authenticity. The pickguard hides yet more
treasures—a humbucking pickup cavity, unusually routed in the middle position, and a haphazardly wired control pot assembly with tone pots mounted in reverse. Re-creating the non-original bridge and strap-lock hardware is further evidence of the fastidious attention to detail. Ultimately, however, it’s all about Vaughan’s music, and he summed Lenny up best when he said, “It’s always meant a lot to me. And I love what it sounds like.”

Stevie Ray Vaughan was just a struggling young guitarist in Austin, Texas, in 1980, when his wife, Lenora ‘Lenny’ Vaughan, gave him a used Stratocaster that had recently caught his eye in a local pawnshop. It was a 1965 Fender Stratocaster guitar with the original pickups that, from the look of it, had seen better days. Although it began life as a three-color sunburst model, it had obviously been refinished (none too expertly) at some point, and now it had a dark natural finish bearing an elaborate inlay in the body behind the bridge. Nonetheless, there was something about it that clearly and immediately resonated deeply with Vaughan.

As Vaughan himself said during an interview published in the Feb. 1990 issue of Guitar Player magazine:

It’s called Lenny. I found it at a pawnshop and didn’t have the money to buy it, and my wife and several other friends of mine put a pool together and bought the guitar. It’s always meant a lot to me. And I love what it sounds like. “Riviera Paradise” and “Lenny” (Texas Flood) are both played on the same guitar, and for some reason that guitar works for songs like that more than anything else. [Guitar Player, Feb. 1990]

Seven friends with $50 each pooled their money to buy the Stratocaster and gave it to Vaughan on his birthday during a celebration at a local Austin nightclub. He was thrilled. He took the guitar home and, sometime that night, as Lenora slept, wrote a new song on it. In the morning, Lenora Vaughan remembers, “He was sitting on the edge of the bed with the guitar and said, ‘Listen to this.'” He played her the song he had written that night, “Lenny.” The song later became one of Vaughan’s most well-known instrumental pieces, and he continued to perform it exclusively on the Lenny guitar. Throughout the remainder of his career, the Lenny guitar traveled with Vaughan almost everywhere he went, and it was later autographed by baseball great Mickey Mantle during a chance meeting in Houston. On April 10, 1985, Vaughan had just performed the National Anthem at the season’s opening game for the Houston Astros where Mantle was also in attendance as a guest of honor. Without a baseball or bat nearby, Stevie offered up his beloved guitar to be touched with the magic of the American sporting legend.

Play stevie ray vaughan

The Guitar Play-Along series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC & Mac users can adjust the recording to any tempo without changing pitch!

This volume includes 7 songs: Ain’t Gone ‘n’ Give Up on Love • Honey Bee • Pride and Joy • Rude Mood • Texas Flood • Voodoo Child (Slight Return) • Wall of Denial.

Stevie ray vaughan guitar name

The Fender Stevie Ray Vaughan Stratocaster Electric Guitar is made for Texas Blues – Stevie style – with the same features as Stevie’s number one Strat. Unique features include a special oval neck, pao ferro fingerboard with 21 jumbo frets, three Texas Special single-coil pickups, gold-plated vintage hardware with Stevie’s unique left-handed synchronized tremolo, and special engraved pickguard. Pay tribute to a master with every note you play.

Features

  • Select alder body
  • Special oval neck shape
  • Pao ferro fretboard
  • A trio of Texas Special single-coils
  • Gold left-side tremolo

Srv fender guitar

The Fender American Deluxe Stratocaster HSS is for guitarists who demand more from their electric guitar. The compound-radius fretboard encourages exhilaratingly effortless string bending anywhere along the neck. 2 new Fender N3 noiseless pickups supercharge your sound with improved Stratocaster tones while the DH-1 humbucking bridge pickup is right there when you need to take everything up to 11—all with no hum.

Reconfigured S-1 switching offers even more knockout tonal options. The all-new “passing lane” switch instantly routes your signal from any pickup position to the bridge position with the tone circuit bypassed, blasting overtones and volume straight into the Strat-osphere. Other American Deluxe features include staggered locking tuners, an LSR roller nut, 2-point synchronized American Deluxe tremolo bridge with pop-in arm, and a beveled neck heel. Fender includes a molded Fender-exclusive SKB case with glass-reinforced latches and TSA locks, cable, and strap locks with the American Deluxe Stratocaster HSS.

Fender N3 Noiseless pickups 
N3 Noiseless pickups deliver the best of yesterday and today, because they deliver landmark vintage Fender tone and response without the hum that can plague single-coil pickups. Using an improved stacked coil-coil design, N3 Noiseless pickups are specially tailored for each Stratocaster pickup position. The insulated metal core of each pickup position type differs in thickness and composition for enhanced tone, and Fender has fine-tuned the sized, shape, and wire gauge of the coils to balance the magnetic responsiveness essential to great tone. N3 pickups represent a welcome return to the warmth and clarity of alnico magnets. An Alnico 5 magnet is used in the bridge position, Alnico 2 in the middle position, and Alnico 3 for the neck position.

Stevie ray number one

The Elvis Presley “The Number One HIts” framed presentation commemorates the #1 hits of Elvis Presley. This unique collectible contains miniature gold-foil-embossed depictions of each of Elvis’s 30 number one hits featured in stunning fashion and framed in black wood. Officially licensed by Elvis Presley Enterprises.

Overall dimensions 25.5 x 24. Limited Edition of 1956.

Stevie ray vaughan fender strat

This emotive addition to the Custom Shop Tribute Series is an intricate reproduction of Lenny down to the smallest of details from the customized neck that was a gift from ZZ Top’s Billy Gibbons, the reflective SRV stickers on the body, the battered headstock to the autograph that Stevie himself etched into the neck plate—even an autograph from legendary baseball great, Mickey Mantle.

The original Lenny guitar is a universally recognizable Fender Stratocaster, best known for its uniquely bright and powerful tone and known as one of Stevie Ray Vaughan’s favorite instruments throughout his entire career. The guitar itself has an almost mystical heritage that can be traced back to the very beginning of Vaughan’s rise to stardom.

Lenny’s body is similarly storied; its most notable feature is a batwing-shaped inlay believed to be from a 1910 mandolin pickguard and reproduced in exact detail for the replica. The original sunburst finish was removed by heavy sanding, giving
Lenny a much more rounded, smoother and softer contoured body than any Strat before or since. Subsequently refinished, the original sunburst finish still peeks through the clear mahogany lacquer.
It’s easy to imagine Vaughan pulling into a truck stop and adding the SRV stickers to the shrunken, warped and cracked pickguard. The Custom Shop has recreated that ensemble with remarkable authenticity. The pickguard hides yet more
treasures—a humbucking pickup cavity, unusually routed in the middle position, and a haphazardly wired control pot assembly with tone pots mounted in reverse. Re-creating the non-original bridge and strap-lock hardware is further evidence of the fastidious attention to detail. Ultimately, however, it’s all about Vaughan’s music, and he summed Lenny up best when he said, “It’s always meant a lot to me. And I love what it sounds like.”

Stevie Ray Vaughan was just a struggling young guitarist in Austin, Texas, in 1980, when his wife, Lenora ‘Lenny’ Vaughan, gave him a used Stratocaster that had recently caught his eye in a local pawnshop. It was a 1965 Fender Stratocaster guitar with the original pickups that, from the look of it, had seen better days. Although it began life as a three-color sunburst model, it had obviously been refinished (none too expertly) at some point, and now it had a dark natural finish bearing an elaborate inlay in the body behind the bridge. Nonetheless, there was something about it that clearly and immediately resonated deeply with Vaughan.

As Vaughan himself said during an interview published in the Feb. 1990 issue of Guitar Player magazine:

It’s called Lenny. I found it at a pawnshop and didn’t have the money to buy it, and my wife and several other friends of mine put a pool together and bought the guitar. It’s always meant a lot to me. And I love what it sounds like. “Riviera Paradise” and “Lenny” (Texas Flood) are both played on the same guitar, and for some reason that guitar works for songs like that more than anything else. [Guitar Player, Feb. 1990]

Seven friends with $50 each pooled their money to buy the Stratocaster and gave it to Vaughan on his birthday during a celebration at a local Austin nightclub. He was thrilled. He took the guitar home and, sometime that night, as Lenora slept, wrote a new song on it. In the morning, Lenora Vaughan remembers, “He was sitting on the edge of the bed with the guitar and said, ‘Listen to this.'” He played her the song he had written that night, “Lenny.” The song later became one of Vaughan’s most well-known instrumental pieces, and he continued to perform it exclusively on the Lenny guitar. Throughout the remainder of his career, the Lenny guitar traveled with Vaughan almost everywhere he went, and it was later autographed by baseball great Mickey Mantle during a chance meeting in Houston. On April 10, 1985, Vaughan had just performed the National Anthem at the season’s opening game for the Houston Astros where Mantle was also in attendance as a guest of honor. Without a baseball or bat nearby, Stevie offered up his beloved guitar to be touched with the magic of the American sporting legend.

Features

  • SRV-sanded, contoured body
  • Billy Gibbons-customized neck
  • Reflective SRV stickers
  • 1900s-style mandolin body inlay
  • Mickey Mantle autograph
  • “Stevie Ray Vaughan 80” etched by SRV onto neck plate
  • Meticulously replicated wear and tear—
  • stratches, nicks, dings, and paint wear
  • Cigarette body burns recreated using SRV’s cigarette brand
  • Reverse-mounted tone pots
  • SRV’s non-original bridge and non-standard strap buttons
  • Recreation of cracked headstock end and worn-in string winder impressions

Vaughn stevie ray

The Fender Stevie Ray Vaughan Stratocaster Electric Guitar is made for Texas Blues – Stevie style – with the same features as Stevie’s number one Strat. Unique features include a special oval neck, pao ferro fingerboard with 21 jumbo frets, three Texas Special single-coil pickups, gold-plated vintage hardware with Stevie’s unique left-handed synchronized tremolo, and special engraved pickguard. Pay tribute to a master with every note you play.

Features

  • Select alder body
  • Special oval neck shape
  • Pao ferro fretboard
  • A trio of Texas Special single-coils
  • Gold left-side tremolo

Lenny ray vaughan

This emotive addition to the Custom Shop Tribute Series is an intricate reproduction of Lenny down to the smallest of details from the customized neck that was a gift from ZZ Top’s Billy Gibbons, the reflective SRV stickers on the body, the battered headstock to the autograph that Stevie himself etched into the neck plate—even an autograph from legendary baseball great, Mickey Mantle.

The original Lenny guitar is a universally recognizable Fender Stratocaster, best known for its uniquely bright and powerful tone and known as one of Stevie Ray Vaughan’s favorite instruments throughout his entire career. The guitar itself has an almost mystical heritage that can be traced back to the very beginning of Vaughan’s rise to stardom.

Lenny’s body is similarly storied; its most notable feature is a batwing-shaped inlay believed to be from a 1910 mandolin pickguard and reproduced in exact detail for the replica. The original sunburst finish was removed by heavy sanding, giving
Lenny a much more rounded, smoother and softer contoured body than any Strat before or since. Subsequently refinished, the original sunburst finish still peeks through the clear mahogany lacquer.
It’s easy to imagine Vaughan pulling into a truck stop and adding the SRV stickers to the shrunken, warped and cracked pickguard. The Custom Shop has recreated that ensemble with remarkable authenticity. The pickguard hides yet more
treasures—a humbucking pickup cavity, unusually routed in the middle position, and a haphazardly wired control pot assembly with tone pots mounted in reverse. Re-creating the non-original bridge and strap-lock hardware is further evidence of the fastidious attention to detail. Ultimately, however, it’s all about Vaughan’s music, and he summed Lenny up best when he said, “It’s always meant a lot to me. And I love what it sounds like.”

Stevie Ray Vaughan was just a struggling young guitarist in Austin, Texas, in 1980, when his wife, Lenora ‘Lenny’ Vaughan, gave him a used Stratocaster that had recently caught his eye in a local pawnshop. It was a 1965 Fender Stratocaster guitar with the original pickups that, from the look of it, had seen better days. Although it began life as a three-color sunburst model, it had obviously been refinished (none too expertly) at some point, and now it had a dark natural finish bearing an elaborate inlay in the body behind the bridge. Nonetheless, there was something about it that clearly and immediately resonated deeply with Vaughan.

As Vaughan himself said during an interview published in the Feb. 1990 issue of Guitar Player magazine:

It’s called Lenny. I found it at a pawnshop and didn’t have the money to buy it, and my wife and several other friends of mine put a pool together and bought the guitar. It’s always meant a lot to me. And I love what it sounds like. “Riviera Paradise” and “Lenny” (Texas Flood) are both played on the same guitar, and for some reason that guitar works for songs like that more than anything else. [Guitar Player, Feb. 1990]

Seven friends with $50 each pooled their money to buy the Stratocaster and gave it to Vaughan on his birthday during a celebration at a local Austin nightclub. He was thrilled. He took the guitar home and, sometime that night, as Lenora slept, wrote a new song on it. In the morning, Lenora Vaughan remembers, “He was sitting on the edge of the bed with the guitar and said, ‘Listen to this.'” He played her the song he had written that night, “Lenny.” The song later became one of Vaughan’s most well-known instrumental pieces, and he continued to perform it exclusively on the Lenny guitar. Throughout the remainder of his career, the Lenny guitar traveled with Vaughan almost everywhere he went, and it was later autographed by baseball great Mickey Mantle during a chance meeting in Houston. On April 10, 1985, Vaughan had just performed the National Anthem at the season’s opening game for the Houston Astros where Mantle was also in attendance as a guest of honor. Without a baseball or bat nearby, Stevie offered up his beloved guitar to be touched with the magic of the American sporting legend.

Features

  • SRV-sanded, contoured body
  • Billy Gibbons-customized neck
  • Reflective SRV stickers
  • 1900s-style mandolin body inlay
  • Mickey Mantle autograph
  • “Stevie Ray Vaughan 80” etched by SRV onto neck plate
  • Meticulously replicated wear and tear—
  • stratches, nicks, dings, and paint wear
  • Cigarette body burns recreated using SRV’s cigarette brand
  • Reverse-mounted tone pots
  • SRV’s non-original bridge and non-standard strap buttons
  • Recreation of cracked headstock end and worn-in string winder impressions